CEH member Paul Merchant has published new research on the Pacific Ocean in Chilean cinema in the Bulletin of Latin American Research.
”Collecting What the Sea Gives Back’: Postcolonial Ecologies of the Ocean in Contemporary Chilean Film’ addresses the entanglements between ecology and postcolonial politics in the films of Tiziana Panizza and Patricio Guzmán.
The abstract, from BLAR, is:
This article proposes a new mode of understanding the entanglement of ecological and postcolonial questions in contemporary Chilean filmmaking, through the lens of directorial subjectivity. Both Tierra sola (Solitary Land, Tiziana Panizza, 2017), and El botón de nácar (The Pearl Button, Patricio Guzmán, 2015) contest hegemonic structures of belonging by constructing an alternative ‘oceanic archive’. Yet where Guzmán’s metaphorical meditations on indigenous connections to the ocean risk collapsing into romanticism and replicating colonial visuality, Panizza’s reflexive conception of filmmaking as a situated and embodied practice facilitates a subtler understanding of cinema’s political engagement in this sphere.
You can read and download the article here.
Dr Paul Merchant is lecturer in Latin American Film and Visual Culture in the Department of Hispanic, Portuguese and Latin American Studies, at the University of Bristol. His research focuses on 20th- and 21st-century Latin American film and visual culture, with particular emphasis on the countries of the Southern Cone and, more recently, Peru and Bolivia. He has recently completed his first book, Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015.
Header image credit: Tierra sola (Solitary Land, Tiziana Panizza, 2017)