The Centre for Environmental Humanities has received funding from the Natural Environment Research Council (NERC) to hold three workshops on key terms for effective interdisciplinary environmental research: resilience, justice, and transitions. In line with NERC’s Environmental Solutions agenda, our work will be focused on two environmental challenges that are salient in Bristol and the West of England: pollution (including carbon and biodiversity loss) and extreme weather events. These sessions will bring together researchers from disciplines including earth sciences, biology, engineering, history, cultural studies, neuropsychology, and law, as well as non-academic partners from the ClimateCultures network and local community organisations. We are also planning engage creative partners such as writers and artists to find new formats for interdisciplinary conversations, so that we do not simply ‘talk past’ each other. Building on previous knowledge exchange initiatives such as Bristol Method+ and the Bristol Advisory Committee on Climate Change, the workshops will seek to answer three principal questions:
1. What are the obstacles to effective interdisciplinary conversations around the key terms of justice, resilience, and transitions, and how can they be overcome?
2. How can better interdisciplinary understandings of these terms help local communities take action on pollution and extreme weather events?
3. How can these new understandings be shared with other relevant stakeholders, such as local authorities and funding bodies?
The outcomes will include a co-authored methodological paper, and a toolkit addressing how research funders, local authorities and other relevant stakeholders can support community initiatives and impact-focused interdisciplinary research in relation to the local challenges of pollution and extreme weather events. The precise format and design of the toolkit will emerge from discussions in the workshops, but may build on models such as the business model canvas. We will also work with creative partners to produce a proof-of-concept version of an online multi-perspective glossary of key terms for environmental research and engagement, to be hosted on the ClimateCultures website.
Any solutions or effective responses to climate change impacts will need large diverse groups of people to come together. For solutions to be found, active communication across different disciplines is needed – and this is not always easy! With this in mind, the workshops will be structured so as to include a variety of distinct activities, including presentations from academic participants, discussions led by community partners, and creative brainstorming sessions. There will be a particular focus on how to bring high level theories of justice, resilience and transitions into day to day work, and conversely how insights from the practices of non-academic organisations can inform interdisciplinary scholarly debate. How, for instance, do academic discussions of behavioural change relate to actual social practice?
We hope the workshops will at least begin to answer these questions. Watch this space for more details of the project, which will run from January – March 2022 (PI Dr Paul Merchant, Co-Is Professor Daniela Schmidt and Dr Alicia Gonzalez-Buelga).
The University of Augsburg and the Ludwig Maximilian University of Munich invite applications for 12 Doctoral Positions in their new International Doctorate Program (IDK) funded by the Elite Network of Bavaria. Deadline: 15 April 2021
Based at the Environmental Science Center WZU (Augsburg) and the Rachel Carson Center (Munich), the program offers a unique opportunity to pursue a PhD degree under the supervision of faculty from both universities: each doctoral student will be supervised by an interdisciplinary team. Participating disciplines include American Studies, Anthropology, Didactics of Geography, Economics, Environmental Ethics, Environmental Health Sciences, Environmental Humanities, Environmental Philosophy, History, Human Geography, Iberian & Latin American Studies, Science and Technology Studies, and Theology. Languages are English and German. The program is continuously supported by international guest professors, experienced practitioners, and creative artists/writers whose work focuses on environmental topics.
We offer positions (65%, TVL-13) to twelve doctoral students for a period of three years who want to explore the topic of the IDK from an interdisciplinary perspective. Possible topics can be found on the IDK website. In addition to these funded positions, there is a limited number of non-funded doctoral affiliations (“Promotionsplätze”) available for candidates who have already obtained external PhD funding. The IDK starts on 1 October 2021.
We welcome applications from all participating disciplines and particularly encourage interdisciplinary proposals. Applicants must have a completed degree (M.A., M.Sc. or equivalent) with above average grades in one of the participating disciplines. Submissions should include the online application form (available from our website), a letter of motivation (400 words max.), a short CV (max. 2 pages), a PhD proposal (max. 1800 words, including abstract and timeline), copies of your university degree(s), a recent publication (e.g. peer-reviewed article, book chapter), or your final thesis if applicable. The application may be written in either English or German. Please make sure to send all documents and certificates electronically as a single pdf file (up to 8 MB).
Applicants are expected to speak either German or English fluently upon entering the program. If you have no knowledge of one of them, you are expected to acquire basic skills in that language during the first year of the program (both universities offer language courses).
Reflecting the participating universities’ commitment to excellence, we seek to increase the diversity of our doctoral student body to support this objective and particularly encourage applicants from underrepresented groups and regions. We especially welcome applications from qualified women. Our Universities stand up for compatibility of family and professional life. For more information, please contact our women’s representative offices. This position is suitable for the severely disabled. In the case of equally qualified candidates, applicants with disabilities will be given preference.
Dr Paul Merchant, Lecturer in Latin American Film and Visual Culture, writes about his new AHRC Leadership fellowship.
Coastal communities around the world are facing significant challenges, both ecological (such as rising sea temperatures) and as a consequence of human activity (for instance through flows of migration). Chile and Peru have been identified as two of the countries likely to be most affected by climate change, with their fishing industries vulnerable to rising sea temperatures, and their coastal regions vulnerable to the El Niño phenomenon, which is intensified by climate change. This project asks how visual and audiovisual creative responses to these and other issues from Chile and Peru can help us to live well in changing coastal environments across the world.
Scholars working in the environmental humanities and the emerging field of oceanic studies have argued that in order to develop a more sustainable relationship to the world’s oceans, we must understand the history and present of our responses to them. This project fills an important gap in this field of enquiry, which has to date paid little attention to the Pacific coast of South America and has remained focused on European and North American contexts. The project’s exploration of creative responses to ports as places of transnational encounter and exchange moreover responds to global concerns over how to adapt to increasing flows of migration. Coasts have long been viewed as spaces of exhibition and performance, where social change is particularly apparent, and while the Pacific Northwest of the United States of America has long been recognised as a hive of counter-culture and creativity, the diverse political traditions and cultures of Pacific ports such as Valparaíso and Callao have received far less attention.
Beginning in 1960, the date of a major earthquake and tsunami on the Chilean coast, this project asks how visual and audiovisual responses to the Pacific Ocean from Chile and Peru can shape a new critical understanding of how coastal communities respond to social and environmental pressures. The project analyses the production, reception and circulation of feature films (Patricio Guzmán, Javier Fuentes-León), video art (Cecilia Vicuña) and installations (Claudia Müller, Ana Teresa Barboza), among other forms of cultural production. It asks what changes are visible across the time period studied (1960 to the present), and shows how coastal cultural production brings to the surface lesser-known local, national and transnational histories.
How can scholars of audiovisual media produce critical work that supports public engagement with ecological issues?
The project also asks a methodological question: how can scholars of audiovisual media produce critical work that supports public engagement with ecological issues? This question is particularly important given the vital role that audiovisual media have played in recent years, whether in the form of television series or online video clips, in furthering public understanding of contemporary ecological challenges. One need only think of the influence of the BBC’s Blue Planet II series on debates around plastic use in the UK.
The project’s findings will be disseminated through several major scholarly publications, including a monograph with a leading university press and a methodological article in a leading peer-reviewed environmental humanities journal. A Post-Doctoral Research Assistant will be recruited, and they will publish an article in a major peer-reviewed Latin American studies journal.
In addition to these academic outputs, I will hold stakeholder workshops with local arts organisations and representatives of environmental NGOs in Chile and Peru. I will work with the Project Partner, the Centre for Cinema and Creation in Santiago de Chile, to develop the format of these workshops and to disseminate outcomes. Discussions at these events, along with a symposium on ecomedia and audiovisual research methods to be held in Bristol, will inform the design of a project website on which to disseminate examples of the material studied, and critical responses to it.
Dr Paul Merchant is lecturer in Latin American Film and Visual Culture in the Department of Hispanic, Portuguese and Latin American Studies, at the University of Bristol. His research focuses on 20th- and 21st-century Latin American film and visual culture, with particular emphasis on the countries of the Southern Cone and, more recently, Peru and Bolivia. He has recently completed his first book, Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015.
Dr Andy Flack, lecturer in the Department of Historical Studies, writes about his new AHRC Leadership Fellowship project.
There are at least a billion people on this planet today who are directly affected by disability, and many more besides when their families, friends, and colleagues are taken into consideration. Disability – and the structures that create it – really matters. It may be marginalized, but it is hardly a minority experience. As disability studies scholars have compellingly illustrated, the concept of disability is underpinned by a range of assumptions about the form and function of bodies – the ‘normal’, ‘able’, and their opposites – and the world these ‘misfitting’ bodies inhabit. Such assumptions are always a matter of perspective and they have histories of their own. They reflect value systems which, historically, have had profound material effects, generating and entrenching maginalisation.
This project investigates whether these historically contingent value systems transcend the human world and proposes that historians need to pay attention to the broadest application of concepts relating to disability such as ‘ability’, ‘normativity’, ‘vulnerability’ and ‘adaptation’ and to the material impacts of such classifications on bodies and the worlds that they inhabit. They need to understand how dominant groups – in this case human beings – imagined and dealt with all kinds of ‘differently-abled’, bodies that appeared to inhabit the world in strange and incongruous ways. In sum, they need to ask new questions of the past in order to better understand the discursive foundations of disability as an imposed identity and the allied impacts of those systems on living beings.
Through this leadership fellowship I will develop an agenda for future interrogations of disability’s intersection with environmental history and histories of human-animal relations. To do this, this project focuses on nineteenth- and twentieth-century British and North American natural history discourses relating to animals adapted to living and seeing in the dark. These are the creatures who spend most of their lives beyond our sight and living in ways that we struggle to comprehend. The period 1840-2000 captures key moments in the emergence and development of natural historical knowledge relating to these kinds of animals. Indeed, over its course, there have been far-reaching transformations, not only in the imagination and classification of diverse bodies but also in terms of human impacts on their shrouded worlds. Their strange, perplexing, non-normative bodies were frequently branded as ‘broken’, ‘degenerate’, or, indeed, ‘super’; attitudes that reveal changing norms and transforming valuations of ability and judgements about what it means to be ‘normal’.
Animals living in the world’s darkest environments, from deep underground to the oceanic abyss, were imagined in the British and North American contexts – and across both scientific and popular contexts – as extreme others, inhabiting the margins of the world and knowing it in ways which rendered them ‘non-normative’, often ‘extraordinary’, beings whose otherness made them enchanting, even seemingly other-worldly. Such ‘differently-abled’ others were subjected to an array of assumptions and, later, wide ranging studies aimed at understanding how their bodies worked and how they survived and flourished in their dark worlds.
Conceptualizations of echolocating bats are an illustrative case in point. During the late eighteenth and nineteenth centuries, natural philosophers sought to understand the ‘otherworldly’ nighttime navigations of these creatures via gruesome laboratory experiments on their perplexing bodies. Torturing many hundreds of bats, eyes were gouged out with red hot needles and ears blocked with starch before their capacity to navigate in the dark was put to the test to identify and understand their ‘special’ sensory abilities. Such an interrogation of bat sensory capacity broke with an historical tradition of dismissing the creatures as quite literally blind, even ‘broken’; Natural history writer Thomas Bewick’s view at the end of the eighteenth century was that bats were, in consequence, ‘imperfect’ animals.
Narratives of deficiency and exceptionalism characterise historical British and North American comprehensions, not only of echolocating bats, but also of many dark-dwelling species. By the middle of the twentieth century, as the senses required for life in the dark had become better understood – including Donald Griffin’s detection of bat echolocation in 1938 – dark-dwellers had been drawn from the margins towards the mainstream of British and North American comprehensions of nature’s diversity. At the same time, however, and perhaps ironically, writers across scientific and popular publications began noting that many of these creatures were becoming increasingly marginalised by the anthropogenic environmental transformations of modernity, including the illumination of darkness, the construction of transport infrastructures and, most recently, the cascading effects of climate change. Consequently, the imagination of these animals transformed: they came to be construed not only as ‘differently-abled’, but also as ‘vulnerable’, ‘adaptable’, and ‘resilient’. Such adjectives are profoundly familiar to people living with disability in the world today.
In building a history of difference through a case study that transcends an exclusively human world, this highly innovative research project places the nonhuman world at the heart of an analytical framework and historical methodology that excavates familiar source materials for the wide-ranging discursive structures that underpin the modern concept of disability: ability, normalcy, vulnerability and adaptation.
The resulting ‘beyond-the-human’ reconceptualization of the meaning of these categories widens historical appreciation of the discourses that generate and perpetuate disability. In the process, I will produce a suite of publications that enable me to set a stimulating agenda for further research. Crucially, I will also ask challenging questions about how this research might apply to diverse communities beyond the academy. Through the development of innovative impact activities focused on key stakeholders – Key Stage 2 children, teachers, sight-impaired individuals and vision clinicians – I seek to transform understandings of diversity, ability, and disability in important and radical ways.
Dr Andy Flack is a lecturer in the Department of Historical Studies at the University of Bristol. He is an animal and environmental historian, working primarily on human engagements with the non-human animal world across the nineteenth and twentieth centuries. His first book, The Wild Within: Histories of a Landmark British Zoo was published by the University of Virginia Press in 2018.